2014-02-23 12.04.13My latest story to be published is live now!



Dreams do come true! Check it!



JAN 2012

Now, I can post the link to my first published short story. I swear I will write about the entire experience sometime soon.

Cliff note version:

Tom Spanbauer challenged me to write a scene for my larger project based on an actual recurring nightmare I used to have. I took the opportunity to write that scene in a workshop with a former Dangerous Writer, David Ciminello, who happened to be teaching  at the Attic Institute here in Portland Oregon.

While I was taking that class, a friend wanted a couple of copies of the Chronology of Water (COW) signed, and I, being big in britches and short on humility, bragged that I was sure I could get the books signed. I contacted Lidia Yuknavitch, the author of COW on her Facebook Page and told here I was trying to figure out a way to get a few books signed. I said I was working on a plan for a fellow Dangerous Writer to get them signed in a workshop she was going to be teaching, but if that didn’t work, would she be willing to meet up somehow. She was really cool and gave me her address. And even though Lidia seemed not to be worried, I promised her I wasn’t a stalker.  But can any of us really make that claim? Like you have NEVER stalked someone? Not even once? Liar.

Plans fell through for the friend to get the books signed , so I messaged Lidia again and told her what my car looked liked and described myself as a big boyish dyke, or something like that. I told her I would wait outside her class that weekend at  Crow Arts Manor, which is housed inside the Milepost 5 Art community. I went about an hour early, because you know how weekend workshops are. They get usually convene early. Not knowing at all what the layout of the place was, when I got there I discovered that there was a possiblity that Lidia would coming out of one of at least 5 exits. I waited at the corner of 81st and NE Oregon, so I could see at least  two different exits.  After about 15 minutes, I got paranoid that I looked suspicious, like a drug-dealer. Or a stalker. I decided to figure eight through the blocks a few times.  I parked again, then circled again. Then repeated that a couple more times.

It was fifteen minutes after the workshop should have been over, and I thought for sure I had missed Lidia leaving. I stayed parked in the middle of the road, and down the street not far from a corner that I would not have gone around had I decided to circle again, I saw what could only have been Lidia. Long blond hair, sure stride, and a lot more books than most people would carry without a bag. I cranked the wheel and picked up pace. I rolled up alongside called her name. Lidia looked over and smiled. I told her who I was and she hopped in the passenger seat like she knew me. We talked for a few minutes about whatever. She laughed and told me it was her first drive-by book signing.

Instant kismet.

Forward to the next time we met.

I went to a reading at a local literary cafe. Lidia sat with us, and we laughed and talked and drank hard cider, then she got up and read a beautiful passage from COW. The passage that talks about throwing her baby girl’s ashes into the ocean. Hearing her read it was more touching and clean off the bone than I could have imagined. People were silent throughout, aside from a sniffle or two, then the place crackled with applause. Lidia’s face turned a little red.

Then she sat back down at our table, and we listened to the other reader. After it was all over, Lidia stayed at our table, and we talked for a good hour. I had asked her a couple of weeks earlier if she’d look over this story I wrote. She said yes, but to send it quick, before she was deep in grading papers again. I had done that and was worried that I hadn’t heard back from her, so I took this opportunity to ask her what she thought of it. Lidia said she really liked it and said she could see what I was trying to do with it. She gave me the name Roxane Gay and said that Roxane was the co-editor of this really kick ass Lit Mag, Pank. Lidia said I should contact Roxane, so I did.

I sent Green Man.

I sent Green Man.

Yes, I sent it. The first story I had ever sent.

Green Man was accepted about ten days later, and it just came out a few weeks ago.

I was going to just copy the link and say, here you go, but I couldn’t. I had to give context.

Then I wanted to regurgitate some gummy sentiment about how we are all dependent on each other, and that there is always hope.

I also thought about how much technology absolutely helped me here, and that no matter how isolated and cynical I feel sometimes having the majority of contact with people these days through Tumbltwitbook, I keep that little spark of whatever it is alive in me so that I can push through into tomorrow even when I don’t want to.

Or that maybe I was just so lucky to have all of these events come together magically, like it was a miracle from some force greater than ourselves.

The truth is, it is one story. A series of stories, really. Stories of my life that are minimally fictionalized, so that I can present them with some level of coherence. None of us can remember things exactly as they happened, and it is even a stretch to remember things as we experienced then thorough our own filters.

Some of that stuff is locked up so tight that it only comes out in nanosecond blips of recognition when a certain smell is in the air. Nanoseconds that leave you wiping memory’s condensation off the palms of your hands and onto your jeans until the memories either evaporate with the hundred proof whiskey you choke down or you are able to piece them together on paper and give them a place to be. Once written, inside feels wrecked. Dissected. Dismantled. Dis-integrated.

Until you put the pieces back together again.

Then again, maybe that’s just me.

So, here it is. Green Man:



Below is another excerpt from my larger piece. I am currently suffering from a mild case of Vertigo, and it is interesting writing when i can’t tilt my head back to think. ;-)

Mom’s perfect started to unravel a little bit more, and she stood even stiffer. Stood the way she does just before she says if we don’t quiet down, her head’s going to explode. I didn’t have to see her face to know what it looked like. Her mouth would be drawn into that thin tight line again, and her jaw muscles would be popping in and out just below her ears, like she was priming a detonator. Mom didn’t have to say anything about her head exploding, either. She didn’t have to say anything at all.  The keys in her hand pierced the tension with a single teeth aching jingle. I could tell it took everything in her not to say something back to Dad. Mom knew he had reached that point that no amount of talking was going to change his mind come hell or high water.  Just then another uncurl sprung loose and fell over Mom’s ear. Wiggled like bait.

written by ds (dangerousboi)


I read for the first time tonight at DW. I am not “at the table” yet, but I there was space at the table, so I was allowed to sit there. Then, there was enough time to read, so E encouraged me and I read the homework I brought to turn at the end of class. The experience was great. My mouth was dry and tasted like nervous, but I did it! And everyone was so supportive and encouraging. Happy about that. I am too tired to write about everything, but I wanted to be sure to get this down somewhere, so thanks.


This is an excerpt from my larger piece.

This is my attempt to go “on the body” and to speak to a decisive and pivotal moment of truth for the 4 year old main character in my story. 

I try to be ” in the moment” and to add the element of “universal truths” in order to speak to the reader without “reporting” the event to the reader.  

I love the learning process. I hope you gain something from it, too.

Criticism and comments welcome.

From (currently) page 30 of  “Stingray”:

“Let me see your head again. Mom said.

The mix of unclean and shame wormed up from my inside and settled hot on my cheeks. Mom holding on to me out in front of God and everybody going baboon through my hair. I wanted her to put her arms around me to tell me everything was ok. I wanted her hands to stop poking and to brush my hair down. I wanted her to say, it’s alright dear or how’s my brave little soldier. Say something sweet like a TV mom.  She found the goose egg on the back of my head and pushed. Still no blood. 

Oh, you’re alright. My not TV mom said. Now go on in the house with the boys.

No pain from the bump on my head, but my backside stung like punishment. That spot in my gut ached. That spot where I kept all my good. That spot that tells you everything is going to be alright after you go and do something like fall off a bike, and you come home and your mom tells you it’s all ok? Well, that spot stayed empty. Sore.”


i am very happy to say that i successfully transferred content from my previous wordpress site to my new full-on website. I have been absent from posting the past several days, because I am starting 3 different websites for 3 different people. I am an expert at finding things to keep me away from what I love to do best. Something about having a right to focus on me so much, feeling guilty for not making more money, something about not deserving… you know. It’s the same bullshit that goes on in the head of every writer and artist I know whether they are making money or not.

Another Quick Fiction Exercise. I have no idea how it all comes together, but it does.
As all of my quick fiction, this is an exercise, not a completed piece. My particular parameters of this quick fiction is to write and minimally edit  500-1000 words a 2-4 hour period. Whatever you have at 4 hours max, is what you have. That’s it. It allows me the freedom to let my mind go for about 20 minutes or so during the “freewrite” portion, then forces me to concentrate enough to come up with something at least mildly readable within the following couple of hours. It seems to work ok for now.
 Today, it was my intention to write into, or “go vertical” on  the original idea  of a 4 year old kid who might otherwise be bored sitting on the lawn waiting for her father to bring out the garden hose to was the car, if it weren’t for the fact that she has a powerful internal life.
Fortunately, this girl learns very early on that there are magical places upon which to rely when the outside world unfortunately gets to be too much. Or too little. Or too scary. 
Because I have always love that the French translation of being bored is to say I bore myself, I decided to incorporate that.
The pigshit idea in the story came long before I thought to link it to Arnaud’s famous piece, but I thought it was funny and appropo.
I hope to find a nugget or two, from these exercises to incorporate into my larger piece.
Antonin Artaud. Google him!

"All Writing Is Pigshit"

I sat on the lawn not watching much of what was going on around me. I was real good at sticking right where I was and making something fun out of nothing. All because of Grandpa LeBlanc.

Grandpa all the time said that where he grew up, there was no such thing as being bored.  Je m’ennui is what they called it. I think that’s that’s Indian for I bore myself. Maybe it’s French. I don’t know, I just know Grandpa’s said when he was little, his people were so poor kids had to make up their own games because nobody wanted to be known as a kid who bores itself.

 There were five LeBlanc brothers. My Grandpa Fay, then next on up was Forrest, then Finn, Frank, and Frederic in that order. Grandpa was the youngest of the brothers and Frederic was the oldest. They had a cousin Blaine who lived with them on account of his folks went off with some missionaries to take medical supplies to other Indians that the Canadian government didn’t pay no mind to. That made six of them boys all together.

Grandpa said one winter when it was so cold you could freeze a witches tit, them boys made an old broom out of sticks they found out in the woods beyond the pasture. Said they walked a mile up a hill in moccasins in the dead of Winter just to go hunt down a big old rock. When they found the perfect big old rock, they picked teams, three on each side.

The three biggest brothers crouched down behind the big old rock and pushed real hard. Hard as they could. Grandpa was the littlest, so he ran ahead and picked up rocks and stick and stuff like that. Without gloves, of course. Said he had to stick his hands in pig shit to warm them back up so his fingers didn’t fall off. The other boys on Grandpa’s side got out in front of the big old rock swept a path all the way back to the barn out back of Grandpa’s house while the big boys were pushing. Said it took them all day.

Grandpas would get to telling these old stories, and us kids would stop doing whatever it was we were doing and listen. Grandpa had a way of taking out his teeth and screwing up his mouth making the story more scary when it called for scary and more funny when it called for that, too.

Nobody really cared that grandpa never did own a pair of moccasins, and that he was raised up on white man’s land sheering sheep and bucking hay. Since he was the youngest, he wasn’t born yet when the missionaries came and moved the whole family onto a 10 acre plot to farm. Hitch was that they had to wear regular white man’s clothes, and give ten percent of what they sowed to the missionaries and give the missionaries place to stay when they came through about once or twice a year.  

I supposed it sounded like a sweet deal then, so that’s what the LeBlanc’s did.

 No one ever talked about it, but grandpa was born about 9 months after the missionaries first came, and he was a whole lot lighter than his older brothers. I suppose grandpa got a kick out of telling stories of being an Indian boy, even if it wasn’t true. And all us kids got a kick out of them, too.

I learned how to tell stories just like Grandad. Anything’s better than making yourself pigshit bored.


…faced with the loneliness of writing, where everything comes up traffic at a 7 way intersection, and I don’t want to put on the brakes. Let’s hope the crash doesn’t kill me.